Feed the cauldron

If you plan on making magic you’ll need the right ingredients. They might be as exotic as eye of newt or fluxweed but more often than not they will be things like time away from the computer and targeted inspiration.

Consume and use the kinds of things you’re making. If you’re writing a fiction book, read novels. Baking a cake? Eat tons of different cakes. Inform your palette and make decisions about what you believe in important. You don’t need to replicate what you’ve explored but the act of exploring will give you new ideas, help you through sticking points and help you identify what you don’t want your thing to be.

And while you’re exploring, stray from the path and explore things that have no obvious connection to what you’re making. Develop new vocabulary to describe those experiences and ask yourself how they might connect to your project. The ingredients for creativity are all around us, we just need to figure out what to make.

Plan your day

The question I’m asked most often is, “How do you plan your day?”. I break it into three chunks: Prep, Play and Production. This works for me but may not work for everyone. The most important thing is that you plan your day in whatever way works for you and then honor that plan. Here's what I do...

1. Prep (morning): Wake up, Eat/shower/coffee, Do admin (emails, phone calls, Facebook), Close Facebook, Plan for the day’s project. The goal is to clear out distractions and seed the brain with ideas.
2. Play (lunch): You could do anything here that doesn’t require lots of active thought or communication. Take walk, clean, make a meal, etc. I go to the gym. Let ideas from from the Prep stage bubble around in your mind.
3. Production (afternoon): Work on the project. By the time I get to the Production stage in the afternoon I have ideas and clear actions fresh at my fingertips. Leave Facebook closed until goals for the day are met.

Buy yourself some time

Feedback doesn’t always come at a convenient time. You might be deep in thought, in the middle of a conversation or actively trying to solve some other problem when an unexpected distraction drops in your lap. Shifting gears isn’t easy and very often a jarring shift means we don’t receive the distraction as gracefully as we would if we were prepared. Buy yourself time to react. Try one of these...

1. Take a deep breath and give yourself time to collect your thoughts.

2. Make a 'thinking' gesture. Example: lean back, touch your chin, nod, say 'Hmmmm....". Create a pause in conversation.

3. Be direct and tell the distracting person to give you a minute.

Over the years I've used all of these, professionally and personally, and I’m sure you can come up with your own scripted actions for buying yourself time. Try it and let me know what works for you!

Dial back the heat

Sometimes creative conversations get heated. People get attached to their ideas, they dig in their heels and friction develops. What are you supposed to do? Dial back the heat by acknowledging the tension. It seems obvious but sometimes the obvious needs to be stated. Example, "It feels like things are getting tense. Let's take a breath, step back and refresh ourselves on the goals." 

Once the tension is abated ask whether your partner is willing to entertain other ideas. Most people will acknowledge that there might be other solutions. Then invite them to help you explore them.

Another strategy for reducing the stress of competing ideas: consider listing the project goals and invite other people to help prioritize them. Often this will expose emotional attachments and focus the conversation on what is needed, as opposed to what is desired, and lead to alternate solutions.

Try a boss-free brainstorm

Want to kill a brainstorm? Invite the boss. Participants will hold back their wilder contributions and the second the boss opens his/her mouth the session will be dominated by their ideas. And even if boss holds their tongue the team will waste time looking for approval.

Bosses around the world might think, “Well, yeah, I’m the boss and I want my team to figure out to make my ideas work.” Fine, but that’s not how to get the best ideas from your team. Let them surprise you. A team needs some space away from their boss and the risk of judgement. Bad ideas will flow in a brainstorm and that’s fine because sometimes they lead to good ideas. If a team is second-guessing the quality of their ideas they won’t offer as much.

Hey boss, help your team by defining project goals and then step out for coffee. Try a boss-free brainstorm and you’ll see a difference in the quality and volume of ideas generated.

An introduction to Scripts

I'll broadly define Scripts as recurring conversations in everyday life. They are situational and range from the banality of "How about the weather?" to something more loaded like "Tell me why I should hire you." Almost every conversation has an associated script and expectations on both sides of the conversation. If you know the function of a script you can better anticipate the needs of the person(s) you're speaking with.

As an example, The 5 Whys, are an effective script for helping a client articulate their goals.

Personally, I love conversations that veer from known scripts into unexpected territory because participants need to switch off their autopilot and pay attention. Ironically, the people who know me can anticipate that I will go off-script so even my desire to break the script becomes a script!

90% of feedback is worthless

But that last 10% is pure gold so it’s worth plowing through the trash to find the treasure. Okay, maybe that’s harsh, but its also true. Everyone comes to a feedback session with their own ideas and agendas. And you probably do the same thing when you’re giving feedback because, by default, people see the world through their own eyes. Makes sense, right? Empathy takes work. And sometimes empathy needs a little pat on the bottom to get it moving along.

Thankfully there’s something simple you can do to increase the percentage of usable feedback. Before you start collecting feedback make sure people know your goals.

Blam. Easy as that. It’ll save you time, improve the focus of the feedback and, as an extra bonus, you’ll be less defensive because you won’t be getting reactions to things that don’t address your primary concerns.

The three paths to innovation

If you’re innovating on an existing product or idea the entire process might involve hundreds of decisions  - but the initial steps aren’t so mysterious. You have three choices that take into account your goals, risk tolerance and timeline:

1. Continue the current aesthetic. You might make this decision to save time, leverage existing brand awareness, etc. Safe and secure.

2. Evolve the the current aesthetic. Maybe you’ve received feedback that will help refine the user experience or you discovered something new about your audience that needs to be addressed. Assumes some risk and additional development time.

3. React to the current aesthetic. Perhaps you want to make a statement, surprise users with something fresh and possibly get press for the shift in direction. The riskiest option and possibly the most expensive.

Identify your questions

If your questions about a project aren't clear you won’t know how to prioritize steps towards the goal. Aside from acting as a To Do list there are several other benefits of listing your questions.

• It removes monkey-chatter. Until questions have been addressed they take up mental and emotional space in your brain. Documenting them helps eliminate that distraction.
• Once you have listed you questions they become more manageable, easier to address and prioritize.

We tend to spend our time on smaller, easy to solve problems because they’re require less energy and we can pile them up, which is good for the ego. At the end of the day we review what we got done and the bigger the pile the better we feel. But do all those smaller tasks require action? Be wary of filling your day with small tasks that don’t advance the larger concept.